Sparse, echoey robotic voice pattern and ticking clocks. Rising string drama and percussion. Complex, unusual violin passages. Light and shade with great crescendo.

Strange, rhythmic vocal patterns and sparse unusual phrases. Builds to amazing crescendo. Creative and hypnotic.

Sparse, dramatic, amazing remix of Wail. Strange, rhythmic vocal patterns and sparse unusual phrases. Punctuated with dramatic percussion, builds to amazing crescendo.

Sparse, echoey clock ticking and sporadic violin motifs. Tense build to dramatic, explosive trailer percussion and excitement. Sleuth, murder, dramatic satire, revelatory finale.

Sinister opening drones, sense of impending horror. Rising percussion and pulsing strings. Politics on the edge, spy drama, intrigue and action. Big horns and searing string power.

Clock ticking, rising suspended strings opening. Intense percussive, disturbing undertones, rising explosive power chords and deep space ominous power.

Dramatic version of Bizet's Carmen. Clocks, guitar, psychotic violin, mad imaginative romp with power, energy and surprises at every turn. Plot twists and turns and revelations. Choir in second section. Enormous ending.

Trailer version of Grieg's In the Hall of the Mountain King. Slow developing, intense, pyrotechnic power and quirky instrumentation. Bumps, slides, accelerations, frenetic choral finale.

Trailer version of Beethoven’s Fifth Symphony. Dramatic opening chords, intense, powerful, strident and quirky.

Trailer version of Saint-Saen’s Danse Macabre. Dramatic violin and orchestral fantasy. Alternating quizzical and whimsical violin phrases with dramatic orchestral responses. Soloist: Magdalena Filipczak

Monumental orchestral build to grand final finale